Minezaki Kōtō
峰崎勾当
作曲
|
A koto player and composer active in Osaka from 1781-89 to the Kyouwa period, and was a student of Toyoga Kensaku (1743-1785). He composed many elegant pieces of haiku and tejimono, and left several masterpieces. In the tegotomono genre, tegoto became longer and longer, more emphasis was placed on the tegoto than on the singing, modulations were devised, the shamisen technique became more complex, and the jiuta developed more instrumentally. The mainstream of composition then shifted from Osaka to Kyoto, where it was further developed by Matsuura, Ishikawa, Kikuoka, and others.
|
|
|
作曲・編曲
| 箏 の作品 | |||
| タイトル | 漢字 | 年 | 別題 |
| Nebiki no Matsu | 根引の松 |
||
| Zangetsu | 残月 |
||
| 三弦 | |||
| Azuma Jishi | 吾妻獅子 |
||
| Bessekai | 別世界 |
||
| Echigojishi | 越後獅子 |
||
| Hana no Tabi | 花の旅 |
||
| Kosu no To | 小簾の戸 |
||
| Sode Gōro | 袖香爐 |
||
| Sode no Tsuyu | 袖の露 |
||
| Tama Tsubaki | 玉椿 |
||
| Yuki | 雪 |
||
| Zangetsu | 残月 |